Resources / Artwork and placement

Artwork and Placement Guidelines for Custom Apparel

A decoration is approved twice: once as a file, and once as a physical proof on the actual garment. Skipping either step is how a placement ends up visibly off, with nothing on record to show what was approved.

Separate the artwork file from the placement instruction. A print-ready file says nothing about where the decoration goes, and a placement note says nothing about how it reproduces.

Four things to fix before a proof

1
Production file

Vector where the technique needs it, with colors separated and no live effects.

2
Placement datum

A named reference point on the garment, plus a distance in one unit.

3
Size and scale

Width and height at the smallest and largest sizes, and the scaling rule between them.

4
Approval proof

The physical strike-off or sew-out that will be kept as the reference.

The approved proof, not the illustration, is what production is measured against.

Who it is for

Who should read this before sending artwork

For buyers and designers preparing decoration files for a factory, and for anyone reviewing a proof on behalf of a brand.

Designer handing off

Stage 1

You have a finished visual and need to know what the factory can actually use. The file table below separates what the technique requires from what is merely convenient.

Buyer reviewing a proof

Stage 2

You have received a physical proof. Review it against the file and the placement note, not against your memory of the design.

Buyer changing artwork late

Stage 3

A late change is a new proof. Record what changed, re-approve, and check that the change did not alter the garment's construction or cost.

Before artwork is sent

A file that cannot be separated cannot be quoted accurately.

The technique is chosen, not assumed
Artwork in the format the technique needs
Colors named against a standard
Placement reference point and distance agreed
Size at the smallest and largest sizes in the range, and the scaling rule between them

File and placement

What the artwork must state

Decoration problems are usually specification problems. These rows decide whether the file can be produced at all.

Artwork handoff requirements

ElementWhat to supplyWhat goes wrong without it
File typeVector for line work and text; high-resolution raster only where the technique allows it.An upscaled logo with soft edges cannot be recovered by the printer.
Color separationEach decoration color identified separately, with the intended order.Colors merge, or an extra screen is added to compensate and changes the look.
Color referenceA named standard for each element, not a screen color.The proof matches a monitor and not the buyer's standard.
Placement datumA named point on the garment and a distance from it, in one unit.Placement is judged by eye and argued after production.
Scale across sizesWhether the decoration scales with size or stays fixed.A dimension that works on a small size does not automatically hold on a larger one: the distance from the datum and the available area both change.
Surface and seam interactionWhere the decoration crosses a seam, zip, pocket or panel edge.The print breaks at a seam or the embroidery distorts the panel.

A placement note that reads centered is not a measurement. Centered on what, measured to which edge, and in which unit are three separate answers.

Proof types

What each proof actually approves

Match the proof to the process. One proof type does not approve another.

Proof to process mapping

ProofWhat it approvesWhat it does not approve
Print strike-offInk color, coverage, edge definition and handfeel on the actual fabric.Placement on the finished garment, or behavior after a garment wash.
Embroidery sew-outThread color, stitch density, letterform legibility and substrate distortion.Print color, or the garment's fit after the panel is embroidered.
Heat transfer or DTF proofColor reproduction and edge quality on the specified fabric.Durability through the full wash cycle unless it is tested.
Patch or applique sampleShape, edge finish, attachment method and thread match.The rest of the garment's decoration.
Trim and hardware colorColor and finish of the component itself.How it reads next to the garment color under another light.

Approve each element separately, then approve the assembled garment. A perfect print on an unapproved fabric is not an approval.

1

Fix the file

Confirm the technique and supply a file that can be separated for it.

2

Fix the placement

Name the datum, give the distance, and state how it scales.

3

Approve the proof

Judge a physical proof on the actual fabric under a stated light.

4

Archive the approval

Keep the signed proof with the revision and the date it applies to.

Common mistakes

Six artwork errors that surface after production

None of these are design disagreements; each is an unrecorded assumption.

A screen-approved color

Monitors and phones render color differently. A screen approval is a preference, not a standard.

Upscaled raster artwork

A small logo enlarged beyond its resolution shows soft edges that no press setting fixes.

Placement without a datum

Centered, standard or normal are not measurements. Name the point and give the distance.

One size, one placement

A fixed placement across a full size range drifts visually as the garment grows or shrinks.

Decoration crossing a seam

Prints break and embroidery distorts where a decoration crosses a join that was not planned for it.

A late change without a new proof

A color or size change after approval invalidates the proof. Re-approve against the new file.

How KnitCertain uses this information

Decoration as a decision with a proof

KnitCertain works on made-to-order apparel made from knitted fabrics. What a proof approves depends on the chosen technique, the garment surface and a physical proof.

What a proof can show depends on the technique and the fabric. A proof on a different quality is a reference for color, not evidence of behavior on the production fabric.

The record matters as much as the proof: which revision was approved, on which fabric, and on what date. Without that, a later disagreement has no common reference.

Use it now

Copyable artwork handoff sheet

Give one sheet per decoration. Two decorations on one sheet is how placements get swapped.

Blank artwork handoff sheet

ItemYour detailConfirmed byRevision
Decoration technique
Placement reference point
Distance and unit
Width and height at largest size
Scaling rule across sizes
Colors and standard reference
Proof type and date approved
Seam or trim interaction

No downloadable file is published for this guide. The table above is the current working version.

Artwork and placement questions

Questions buyers ask about decoration files

These answers separate what a file controls from what a physical proof controls.

What file format should I send for a print?
Vector for line work, type and simple shapes; a high-resolution raster only where the technique tolerates it. The requirement follows the print method, so confirm the method before exporting.
How is placement specified without ambiguity?
Name a fixed reference point on the garment, give the distance from it to a named edge of the decoration, state the unit, and say whether the size scales with the garment or stays fixed.
Can a proof be approved from a photo?
A photo can confirm the file was received correctly. It cannot approve color, coverage or handfeel, because the lighting and the display both change what is seen. Approve from a physical proof on the production fabric.
What happens if artwork changes after the sample is approved?
The approval no longer covers the product. A changed file needs a new proof and, where the change affects size or position, a re-check of the garment it sits on.
Does KnitCertain set standard placement dimensions?
No single set applies across garments. Placement follows the product, the size range and the buyer's brand standard, so it is agreed per project rather than published as a universal rule.

Start project evaluation

Send artwork with the placement intent stated.

Include the technique, the reference point and the size at the largest size. The review can then separate file problems from placement problems.

  • Artwork file and color references
  • Intended technique per element
  • Placement reference point and distance
  • Size range the placement must work across
  • Any proof already approved

Choose one starting route

Include the technique, the reference point and the size at the largest size.